being rejected doesn't mean I have to stop what I love to do!

Yeah, you can easily learn to animate by yourself! Something a lot of people need to focus on is solid key poses with good silhouettes. The big problem is that the industry is very contact-based and that's how many jobs are often gotten.

Anyhoo, I've always liked how your animations feel like there's a good sense of weight in them. Do you animate frame-by-frame or do primary/secondary keys? I'm still a bit tired, but I'll comment on what I can. You other animators should pipe up as well! I'm super nub at animation still, don't forget!

• I find it kind of odd how he's facing us, anticipates downward, but then twists and moves forward.
  
• Is he walking or running? A fairly big anticipation like that makes me think he should be running, but the frames tell me he's walking.
  
• His far leg disappears in a frame.
  
• He goes from a backward C-curve to a C-curve in one drawing, then back to backward C-curve in one drawing. It looks like you were trying to do some kind of anticipation for the kick, but it sticks out to me.
  
• You have quite a few drawings with quick, harsh transitions. Did you play around with smears for them? Even a single inbetween with 1 exposure might have made it smoother, or did you just not want to over-do the smears? xd
  
• The air to ground hand-stand frames are kinda wonky. His leg is straight and in the air, then suddenly hits the ground and his knee is bent.
  
• I am le tired. ;-;

 poopy Sheridan stuff

Psst, what are your plans, if you don't mind me asking? ;o And why so bent on getting into Sheridan? You could still do Winter intake and be a year behind Nikky, Ben and I. ;-;

And you gotta show me your portfolio and your mark sheet when you get it. Sheridan is very peculiar about style. I totes disagree with like, half the stuff they want for your portfolio, though.... lolgunnastopselfbeforeigoonasheridanrant.